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Some
Basic Portfolio Tips
This
is a collection of ideas, rantings, advice and thoughts you
should consider in building your portfolio. Much of this applies
to photographers as well as models (some of it doesn't). Hopefully
these will give you a start at a stronger portfolio. As I
think of more, I will add them to this article.
Your portfolio is only as good
as your weakest shot!
If you look great in a couple of shots, but lousy in one or
two; the art director is most likely going to remember the
bad ones.
Variety, variety, variety!!!
The more "looks" you have in your book, the better
your chances for getting work! Can you look 18 yrs. old, and
also 28? Can you look great as a businessperson and a rollerblader?
Every GOOD look you can come up with for your book improves
your marketability.
You will get the types of work you show
in your portfolio!
If you have nothing but swimwear and lingerie in your portfolio,
then those are the types of work you are going to get offers
for 99% of the time.
You can have Multiple Books...
If you want to market yourself in several areas of the business,
have separate books for each of those market-segments. A lifestyle
agency is not going to be able to get you work (or even want
to deal with you) if you have all lingerie in your book.
Keep that as a second (or third) book, and have a book that
specifically targets the work you are going after.
DON'T let just one photographer shoot
your entire portfolio:
Different photographers will look at you in different ways,
and again; the key to a good portfolio is VARIETY!!
ALWAYS get a stylist to do your makeup/hair!
Find several that you trust to make you look great, and start
a relationship with them. and as with photographers, make
sure you use a number of different ones for the images you
show in your book; Good Make Up Artists are essential to
a successful book! - This is the #1 error most beginning models
and photogs make! yes, it usually costs money; but it
is WORTH the investment.
Presentation is important!
Yes, you can sometimes get away with using color copies.
HOWEVER, I'm a lot more impressed by a model who has made
the investment in herself to have actual PRINTS, or at very
least HIGH QUALITY Ink Jet Prints. Put them in a nice presentation
binder or portfolio. If you have a "box" type portfolio,
make sure your prints are laminated or mounted on boards.
This is your resume; you wouldn't hand in a work resume typed
on toilet paper; why would you do the equivalent with your
VISUAL resume??
Tearsheets are great!, but... Tearsheets
are great! they show you have worked in a professional setting,
and have had the trust of someone else's money for a shoot.
BUT, Laminate them! I can't tell you how many folded up pieces
of magazine I have seen come across my desk as 'tears'..
Getting your tears for cheap!
If you are in Vogue, Maxim, Nylon, etc., and you want a bunch
of copies of the publication, buy a few when it hits the stands
so you have some to show immediately if you are proud out
them. THEN, wait 'til the end of the month (when the magazines
are about to be taken off the shelf) at your local bookseller
or magazine store, and explain to them why you need a bunch
of copies of the publication. Most publications only require
the bookseller to send back the cover of the magazine as proof
that they did not sell that copy of it then they throw the
rest of the magazine away. If you are nice, and professional
about it and offer to buy a couple of copies; many smaller
booksellers will hold the extras for you and give them to
you when that issue goes off the stands.
When making your tearsheets...
don't tear them out.. (Yeah, yeah.. I know they are called
'tears'..) take the binding off of the magazine apart. Presentation
is important!
DON'T use low-quality prints or photos
in your book:
If you have nasty, grainy, amateurish looking images in your
book, then that's how you will be perceived.
Pics to avoid, at all costs,
in a portfolio:
Glamour Shots portraits, Web-Cam shots, School yearbook photos,
Snapshots, Snapshots of you in a group, Snaps of you with
standing next to Celebrities and 'famous' people, etc.
Glamour/Nude images in your portfolio:
Unless you are specifically looking for glamour work, there
is NO need for more than one bikini, or underwear shot in
your book (unless they were ads, or published pieces). If
you are serious about doing fashion, then concentrate on Lifestyle,
and Fashion shots.. Too much bikini/glamour imagery in your
portfolio is extremely amateurish (unless you are a bikini,
glamour, or lingerie model, then it's what you WANT to have..)
Nude images are not helpful in a commercial
Fashion/lifestyle portfolio.
A model must be CONSTANTLY updating
on his/her portfolio:
A model is constantly updating his/her portfolio to reflect
their current look, as well as to keep their marketing efforts
fresh. There are a number of ways to accomplish this. The
best is to hire a photographer you admire to create images
that specifically meet the needs of your current portfolio.
Another is working for photographers in a Trade for Print
(TFP) situation (I will not go into TFPs here... a lot has
already been written on this subject elsewhere).
Approaching Agencies:
If you are a beginner approaching an agency for the first
time, you don't need to have an expensive portfolio to take
with you. Each Agency has it's own policies on first contact,
It is best to consult the individual agency's Web site to
find out their particular policies. If the agency does not
have a corporate or informational Web site with their own
domain name, they are most likely not an established agency.
You will be accepted (or not) based on
how much money that agency can make off of you (by getting
you jobs...) If you approach an agency, and they turn you
down, It may NOT be because you are not marketable; it may
very well be for another reason.
Rejection from one agency does not mean
you are not marketable.
You may not be right for a certain agency for a number
of reasons. Certain agencies only work with certain types
of models. If you are unsuccessful with one, don't be discouraged,
try more agencies. If you have tried with a large number of
agencies over an extended period of time, it may be time to
make an honest look at yourself, and the possibility of being
a commercial model. It's a dream many people have, but not
everyone can make it.
Your marketability does depend on your
market.
Example: In my old home town, a secondary market in the Midwest,
we have an overabundance of tall, blonde-haired blue-eyed
women.. The population is Very, Very Dutch.
It's not easy for a 20 yr. old 5'10" blonde-haired girl
to get a LOT of work in that market, because of the amount
of competition.
NOW, a model and friend of mine, a 29 yr.
old Lawyer, 5'4" and Korean; who started modeling as
a hobby has more modeling work than she can deal with now,
because she is highly marketable. (there are not alot of Koreans
in that market)
She does SOME fashion, but primarily her focus is on Editorial.
You can see her all over that city in sporting goods ads,
on billboards in family situations, and a bunch of other places,
not because of her age, but because she is marketable in that
city. So another key to building your portfolio is to remember
the market you are selling to.
One more note on Legitimate Agencies:
As mentioned earlier, Legit agencies make their money by marketing
you, getting you jobs, and taking a commission from the jobs
they get for you. Never sign with an agency that wants to
charge you for to sign up with them, have any kind of upfront
fees, or insist that you pay them to have photographs taken
with their "in-house" photographer. These "agencies"
are scams that are making money off of signing up as many
"models" as possible, taking their money, and seldom
ever even attempt to market the models they have signed.
A Legit agency will be happy to provide
you with people you can talk to who they have working for
them, and they have been able to get successful jobs for.
Just ask. Also, check with the Better Business Bureau (www.bbb.org)
for information on any Agency you might find questionable.
Good Luck!
-B
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